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WISee - September 2008

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All about the Beat - Rap influences

What I See - September08 by D2Nott

Lights, camera, a call to action, an alarm to stand up and pay attention, is that what the month of August was about. We had large gatherings in Denver and in Minneapolis; two parties; lots of people paying attention to words said, the casts, the characters, the body movements, seeking one thing, to convince you to vote for them! It's all about the beat, the rhythm and movement of music, words and people.

I watch the Democrats more than the Republicans, it had more faces that I could identify with, and even the music was familiar. It was the stuff that I remember being forced to listen to, the post disco stuff that my Pops grew up listening to. Pops sat me down and said listen to some of this other music from the era; The Last Poets, Simon and Garfunkel, Bob Dylan and Gil Scott Heron to mention a few. The music that encouraging change, spoke of protest, a revolution, the Black Nationalist; the early days of rap. Just looking at some of the titles would scare people:
 

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By John McWhorter
John McWhorter - All About The Beat

New York Time 's Bestselling Author

Gotham Books, June 2008

One of the most outspoken voices in America's cultural dialogues, John McWhorter can always be counted on to provide provocative viewpoints steeped in scholarly savvy. Now he turns his formidable intellect to the topic of hip-hop music and culture, smashing the claims that hip-hop is politically valuable because it delivers the only "real" portrayal of black society.

In this measured, impassioned work, McWhorter delves into the rhythms of hip-hop, analyzing its content and celebrating its artistry and craftsmanship. But at the same time he points out that hip-hop is, at its core, simply music, and takes issue with those who celebrate hip-hop as the beginning of a new civil rights revolution and inflate the lyrics with a kind of radical chic . In a power vacuum, this often offensive and destructive music has become a leading voice of Black America , and McWhorter stridently calls for a renewed sense of purpose and pride in black communities.

 

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White voters' support for Obama suggests a dramatic change in the electorate.
By Abigail Thernstrom and Stephan Thernstrom
March 2, 2008
One of the most notable -- yet unremarked-on -- lessons of this year's Democratic presidential nominating contest is the demolition of the long-held belief that whites simply won't vote for black candidates for higher office. Before the Iowa caucuses on Jan. 3, who could have predicted the remarkable outpouring of white support for Sen. Barack Obama?

As recently as 2006, when Congress held hearings on the renewal of the expiring parts of the Voting Rights Act, civil rights advocates delivered a united message, echoed by the House Judiciary Committee. "It is rare that white voters will cross over to elect minority preferred candidates," the committee's report concluded -- a statement from which there was no congressional dissent.

The 43 members of the Congressional Black Caucus, it seemed, were living proof of this. Overwhelmingly, they had been elected in "majority-minority" districts drawn specifically for African American candidates; only a handful had been elected in districts in which most voters were not black or some combination of black and Latino.
   

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